Who wrote the letters?

The short answer is not, usually, by the person who composes the letter, but rather by a scribe. The reliance on scribes, sometimes more than one in a letter, complicates the notion of a letter as a one-to-one exchange. Margaret Paston is known, for instance, to have used at least 29 scribes, including her sons, a family baliff, chaplain, prior, servants and professional clerks. The Pastons could write; there is the odd letter here and there that we can establish is in their own handwriting. For instance, there are three in John Paston's own hand but the rest of his letters are by his sons or servants.

Status of Scribes

In the Middle Ages, composition was considered the art form, whereas writing was considered a menial task. The average scribe, in the later Middle Ages, had to work seven days for the sum earned in one day by a common foot soldier. The father of English literature, Geoffrey Chaucer, in the fourteenth century provides an interesting insight into the status of scribes. He never wrote his own works, rather he dicated them to a scribe. He famously chastises his scribe in one of his poems:

Adam scriveyn, if ever it thee bifalle
Boece of Troilus to wryten newe,
Under they lokkes thou most have the scalle,
But after my making thou wryte trewe.
So ofte a daye I mot thy werk renewe,
Hit to correcte and eek to rubbe and scrape;
And al is through thy negligence and rape.

Translation: Adam my scribe, if it should ever happen that you write Boece or Troilus anew, may you have scabs and scales under your locks, unless you faithfully and accurately copy my lines. So often I must renew your work, and correct and rub and scrape; and all is through your negligence and haste.

Chaucer uses sarcasm and wit to expose the relationship between scribes and authors during medieval times. It is unclear whether the poem is a verse written as folly for entertainment, written as a book curse, or a threat, but in all cases it sheds light on authors' dependence and interactions with scribes during the medieval times.

London and Norfolk Scribes

The independence and voice of scribes can be discerned in the Paston letters, particularly in relation to their dialects. This is perhaps seen nowhere better than in a 1448 letter from Margaret to John, where two different scribes are clearly employed within the one letter: one has a London dialect whereas the other has a Norfolk dialect.

Margaret to John, 1448:

Ryght worshipfull husbond, I recomaund me to yow, and prey yow to wete þat on Friday last passed before noon, þe parson of Oxened beyng at messe in our parossh chirche, euyn atte leuacion of þe sakeryng, Jamys Gloys hadde ben in þe tovne and come homward by Wymondhams gate. And Wymondam stod in his gate and John Norwode his man stod by hym, and Thomas Hawys his othir man stod in þe strete by þe canell side. = LONDON SCRIBE

Qwhan Wymdam seyd þat Jamys xuld dy I seyd to hym þat I soposyd þat he xuld repent hym jf he scholw hym or dede to hym any bodyly harm; and he seyd nay, he xuld never repent hym ner have a ferdyng wurth of harm þow he kelyd ȝw and hym bothe. = NORFOLK SCRIBE